Stokely Van Camp

#art #fineart #collage #minimal #stark #print 

Here’s one of my recent collages. It’s available as a beautiful 27″ by 40″ Giclée print.
Here’s one of my recent collages. This is available as a beautiful Giclée print, 40 inches by 27 inches.
Here’s one of my recent collages I have for sale. It’s available as a beautiful 40 inch by 27 inch Giclée print. Please send me a direct message if you are interested, thanks.
Here’s one of my recent collages I have for sale. It’s available as a beautiful 40 inch by 27 inch Giclée print. Please send me a direct message if you are interested, thanks.
Here’s one of my most recent collages. “Gun Fish.” It’s available as a beautiful 40 inch by 27 inch Giclée print.
Here’s one of my recent collages!
Side Eye
Here’s one of my recent digital collages. The title is “Colorful Continents.” It’s available as a beautiful giclée print, 40 inches by 27 inches....
Here’s one of my recent digital collages. The title is “3 x 3 x 3.” It’s available as a beautiful giclée print, 40 inches by 27 inches.
Here’s one of my recent collages.

Keep your fingers crossed for me

I just entered an art exhibition that has a nice cash prize for the winner!

Artist Statement

I find art to be the most interesting method for exploring my fascination with the world, and my role in it. I am driven, in my practice, to explore issues of meaning, context, authorship, and creativity, using fresh personal formal techniques. 

I work in collage, which I consider to be the fundamental expressive technique of our time. Obviously collage has long been a technique in visual art, including film, but it has also been explored extensively in the world of music, and that of literature. Much of the music we hear today is made up of appropriated samples of other works, recombined through mixing into many fresh argots. Cut-up techniques have been a staple of literature since at least T.S. Eliot.

My most recent work involves exploring and finding images on the internet, and collaging these appropriations into fresh contexts of personal and often enigmatic meanings. My work makes use of computers to produce a “hands-free” ultra-clean and refined aesthetic. In the spirit of Dada and the Surrealists, I want nothing to interfere visually with the stark juxtapositions on offer.

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